Its an ultra-wide angle zoom lens thats compatible with Nikons full-frame FX format DSLRs and was announced in 2010. In fact having a neutrally buoyant rig made it feel almost effortless to move around underwater.
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The Nikon 16-35mm f4G VR turned out to be an excellent lens with impressive optics particularly when compared to its predecessor the 17-35mm f28D.
Nikon 16 35 review. While Nikon already has a constant aperture optically-stabilized Nikon 16-35mm f4G VR see our in-depth review in its current line-up this particular lens has a shorter zoom range variable aperture no stabilization and comes at a much lower price point. The rig is huge but you can quickly get accustomed to it and you will not feel limited underwater in the least bit. Thanks to an AF-S drive Silent Wave Motor AF operations are reasonably fast and basically silent.
The distortion is more pronounced when you are shooting at an up-angle from lower and at 16mm it has the most problems. The AF-S Nikkor 16-35mm f40G ED VR is the gold-ringed sister to Nikons 18-35mm f35-45G ED. The 16-35mm is simply a very good wideangle lens that happens to.
Verdict The Nikon 16-3540G VR is a mixed bag. Nikon 16-35 f4 Weaknesses Distortion This lens biggest issue is its vertical lens distortion at the wide end of its focal range. Nikon 16-35 is a very nicely working tool as long as you stay with the prints below A3 - at this and bigger format lateral areas are far from being called sharp.
The Nikon AF-S Nikkor 16-35mm f4G ED VR lens can shoot images at dramatic wide angles but it needs to be stopped down for edge-to-edge crispness. The Nikkor 16-35 VR is a G-type lens so it does not offer an aperture ring anymore. Lens Sharpness and Contrast Having tested both the Nikon 16-35mm f4G VR and the older 17-35mm f28D I can confidently say that the former is sharper overall especially in the corners.
It does have a few weaknesses though. By 19 or 20mm its significantly less distorted. The AF-S NIKKOR 16-35mm f4G ED VR is the worlds first ultra-wide angle zoom lens to feature Vibration Reduction technology providing the ability to shoot at shutter speeds up to four stops slower.
In direct comparison the auto focus of the AF-S 14-24 feels a little snappier though. Class leading image quality. Can I repeat that.
Initially public sentiment was positive for this lens mostly because everyone thought that it was the modern wide angle zoom that restored filter use. It also works on cropped-frame DX format models where it becomes equivalent to a 24-53mm zoom. Nikon optimized the lens to perform very well on modern Nikon digital cameras so it certainly delivers.
The 16-35mm f4G was a bit of a surprise when it first appeared. NIKON D800E 18-35mm f35-45 35mm ISO 100 180 f56. The AF-S Nikkor 16-35mm F4 VR may be the first true wideangle zoom to incorporate optical image stabilization but while many headline-grabbing firsts end up being slightly disappointing products its anything but.
The Nikon 16-35mm F4 lens is a large expensive lens - and it is worth every penny imho. The application of VR complements the f4 maximum aperture when shooting in low light. However stopped down to f8 the 16-35mm produces very similar results with excellent sharpness throughout the.
The Nikon 16-35mm ƒ4G ED VR II delivers remarkable sharpness uniformity across the full 35mm frame even at its shortest focal length and maximum aperture. MSRP 125995 140995 at. The autofocus is fast and accurate - light years better than using a fisheye lens.
While the Nikon 16-35mm f4G VR shows pretty impressive performance wide open it is no match to the 14-24mm f28G at equivalent apertures especially in the extreme corners. With a constant f40 aperture and image stabilization it offers very nice features plus starts at 16mm which is very wide on a full-frame camera. It produces great center sharpness and impressive corners especially once stopped down to smaller apertures.
And 2 it wasnt a 17-35mm replacement. 1 it had VR.
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