Tokina 11-20mm 20mm and f28. Feel free to read the other 95 of this review however the details below only are interesting to 5 of my readers.
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Tokina 11 20mm review. The Tokina AT-X 11-20mm f28 Pro DX 599 doesnt necessarily look like a modern lens from the outside but it makes up for it in image quality. The 11-20mm has a cine-style metal housing and despite its compact size it still tips the scales at 11 kg 24 lb in PL mount. With its 9-bladed diaphragm this Tokina 11-20mm f28 makes reasonable 18-pointed sunstars on brilliant points of light at the smallest apertures.
Use on Film and FX. The Tokina has better build quality but unfortunately lacks the image stabilization that is present in its Canon and Nikon equivalents. In contrast the 11-16mm would have me changing lenses much more often.
The 11-20mm feels similarly robust and features a weather-seal ring on its mounting plate. Videographers around the world jumped out of their chairs. Despite this even rectilinear wides suffer from some barrel distortion but the Tokina 11-20mm f28 controls the effect extremely well.
A professional level lens at an excellent price. Tokina AT-X 11-20mm f28 PRO DX Image quality I paired up our review sample with the mid-range Canon EOS 80D DSLR. Rectilinear wide-angle lenses like the Tokina 11-20mm f28 have the advantage of keeping lines reasonably straight unlike a fisheye lens that significantly distorts lines in an image.
The 20mm allows me to keep it mounted as a general walk-around lens. None of these lenses is supposed to work. The Tokina 11-20mm f28 Pro DX is a bright sharp ultra-wide lens for Canon and Nikon systems but a noisy focus motor makes it less than ideal for.
The new Tokina atx-i 11-20 mm f28 CF is essentially an update of the existing Tokina AT-X 11-20mm f28 Pro DX - offering a wide-angle zoom for crop-factor DSLRs. Canon EOS 80D 18sec at f11 ISO 200. Its angle of view is solidly in the ultra-wide.
Today Im looking at the newest and most expensive ultra-wide angle lens for APS-C cameras and the successor to Tokinas rather popular original 11-16mm. With a bright wide-angle you take beautiful pictures and perhaps even more impressive videos. I use my Tokina 11-20mm at the far end about 80 of the time.
I have been very impressed with this lens. This 11-16mm is superior even to Nikons own lens and this Tokina is one of the least expensive. The awesome Tokina AT-X 11-20MM F28 PRO DX lens that is made for DX crop sensor Nikon Canon cameras.
I promise Ill provide another video soon with some of my footage in it. In February 2015 the Tokina 11-20 mm f28 AT-X PRO DX was announced. The AT-X 11-20 also uses three SD super-low Dispersion FK01 and FK03 glass elements to control chromatic aberrations.
Again the lens will be available in both Canon EF and Nikon F mounts - and again marks itself from its. THIS EPISODE I give you a quick review into the Tokina 11-20mm Cine Zoom. At its widest 11mm focal length barrel distortion of almost 1 will require some.
An up-market optical design includes two all-glass moulded elements and three SD Super-low Dispersion elements. The lens is beautifully made and the focus iris and zoom rings all have just the right amount of resistance. The stills version of the 11-20mm F28 in Canon EF mount weighs in at 560 g 12 lb.
This compact ultra wide-angle zoom lens has a bright constant F28 aperture make viewing and auto focus possible in lower light. Inspecting a series of shots taken along the coast revealed its optical performance isnt flawless but nevertheless it delivers an admirable level of sharpness. The rounded diaphragm of this Tokina makes blurrier sunstars at apertures of f56 and wider.
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