A new lens from Canon the 16-35mm ƒ4L IS USM is a complement to the existing 16-35mm ƒ28L and 17-40mm ƒ4L lenses offering image. Canon EF 16-35mm f4L IS USM review Features This isnt the first Canon EF full-frame lens to provide viewing angles of 108-63 as the EF 16-35mm f28 L II USM has been around for several.

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It took Canon quite a while but they have just released the successor - the Canon EF 16-35mm f4 USM L IS.

Canon 16 35mm f4 review. The 16-35 F4 impressively outperforms the Canon 17-40 with regards to CA. Ad Buy cameras lenses tripods accessories more on Amazon. How good really is it.

I am mainly looking for the 28L version 2 but I am also considering the f4 since it will mainly be used for landscapes. One review of what is probably Canons best ultra wide-angle lens for full-frame cameras. I would like to stick around the 600-650 range for the f4 and around the 800 range for the f28 however I am open to negotiations.

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The 16-35 F4 has the best CA performance on any wide-angle lens prime or zoom Ive ever used. Canon EF 16-35 mm f4L IS USM. Whether you like this or not is of course a matter of personal taste but honestly we would have preferred the old range.

So Canon sacrificed quite a bit of range at the long end in favor of a 16mm setting. Consider allowing subject movement to show action in some of your venue photos. A lot was expected after the.

The 16-35mm f4 L IS is Canons best ultrawide lens for nature landscape interior real estate general architecture and outdoor photography because there is no sharper Canon ultrawide and its the only Canon ultrawide with Image Stabilization IS so you can leave your tripod at home. Providing a useful zoom range thats especially good for landscapes the EF 16-35mm f4L IS USM bolsters these credentials with extensive weather sealing and a lightweight construction. Canon 16-35 F4 IS Review Overview The Canon 16-35 F4 IS is Canons newest Ultra-Wide Angle Zoom with F4 Image Stabilization and like the 17-40 has an all-internal focusing design.

While the f4 aperture is not as adept at stopping action in low light as the f28 counterpart IS has great value in these venues. It was Canons fastest and toughest and most expensive until it was replaced by the Canon 16-35mm f28 L III at the end of 2016 The new Mark III is much sharper in the corners at f28 but also more expensive bigger and heavier. The Canon company havent had much luck with ultra-wide angle lenses.

Looking to pickup a 16-35 ef lens. The Canon EF 16-35mm f4L IS USM lens extended to 70mm isometric view The Canon EF 16-35mm f4L IS USM lens alongside the EOS 5D Mark III The Canon EF 16-35mm f4L IS USM boasts Image Stabilisation which Canon claims offers an advantage of up to 4 f-stops over lenses without a stabilizer. For photographs of things that are not moving the newer 16.

Canon EF 16-35mm f4 L IS USM Performance As far as sharpness is concerned this is one of the best zoom lenses we have tested so far. Between 16mm and 24mm sharpness is already outstanding across. Its not the brightest or sharpest lens you could buy but the Canon EF 16-35mm f4L IS USM represents a superb balance of value and functionality.

The Canon EF 16-35mm f4L IS USM Lens is a great option for the wide work at a wedding and for other photojournalism needs. The EF 1740 f40L USM an already elderly model has one saving grace a good price for an L-series instrument- but its optical properties could be hardly called outstanding. This 16-35mm f28 L II was Canons top ultrawide for professional news sports and action shooting.

The 16-35s optical design incorporates new optical elements image stabilization and more. VIGNETTING LIGHT FALLOFF Im seeing slight light falloff corner darkening of 1-2 stops at F4 at 16mm without a filter.


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